HomeMy WebLinkAboutDSD-2023-143 - Creative Hub at 44 Gaukel Pilot Report
Development Services Department www.kitchener.ca
REPORT TO: Finance and Corporate Services Committee
DATE OF MEETING: June 5, 2023
SUBMITTED BY: Emily Robson, Manager, Arts and Creative Industries, 519-741-2200
ext. 7084
PREPARED BY: Eric Rumble, Coordinator, Arts and Creative Industries, 519-741-
2200 ext. 7424
WARD(S) INVOLVED: All
DATE OF REPORT: May 17, 2023
REPORT NO.: DSD-2023-143
SUBJECT: Creative Hub at 44 Gaukel Pilot Report
RECOMMENDATION:
That staff prepare an issue paper for the 2024 budget process requesting an annual
allocation for the ongoing operations of the Creative Hub; and,
That staff assess various options the long-term location of the Creative Hub, as
outlined in report DSD-23-143, and return to City Council with recommendations for
consideration as part of the 2025 budget process.
REPORT HIGHLIGHTS:
The purpose of this report is to explain the impact and transformation of 44 Gaukel
Creative Workspace/Creative Hub, and to articulate the ongoing demand for
The key finding of this report is that staff have established a model for supporting and
cultivating a co-working space that attracts artists, builds community, and supports
new cultural experiences.
The financial implication is approximately $234,000 per year in operating funds, to be
referred to the 2024 budget process.
Community engagement includes past consultations and current strategy
documents, as well as new arts sector consultations in 2023 and surveys of active
building users.
This report supports A Vibrant Economy by advancing work on a Creative Hub.
EXECUTIVE SUMMARY:
During its 2019-2023 pilot period, 44 Gaukel Creative Workspace has become the dynamic
and active focal point for the local arts community that was imagined. More than fifty artists
and organizations currently
their entrepreneurial goals and share rich, diverse, arts-based experiences with the public.
*** This information is available in accessible formats upon request. ***
Please call 519-741-2345 or TTY 1-866-969-9994 for assistance.
Staff have provided flexible options to artists and cultural workers to establish, develop and
sustain their businessesand projects, createdan innovative operating model for below-
market-rate studios and in-kind skills trade arrangements, and brought new vibrancy and
interest to downtown that will only grow beside a revamped Gaukel Block.
The efforts to realize this pilot project and consider its futures aligns with goals in both the
Make It Kitchener 2.0 strategy and the 2019-2022 corporate strategic plan. Early findings
from consultation for the forthcoming Arts & Culture Plan indicate that affordable workspace
is still a persistent and broad concern.
BACKGROUND:
In May 2018, Council allocated $775,000 to establish a creative hub at 44 Gaukel. The
workspaces and fresh public input to choose a suitable location to attempt a solution. Staff
were driven by the ide
between assets buildings, people, resources -18-019).
In doing so, an underused City-owned building, was transformed into a conduit of the local
arts scene. The result is the 44 Gaukel Creative Workspace.
Project Timeline
-ups.
Arts tenancies were added, with ArtsBuild Ontario as an on-site partner.
2018: Half of the sale proceeds ($775,000) from the Legion building on Ontario St.
were allotted to establish a creative hub project on the first floor from 2019-2023.
2019: A small renovation of the first floor created twelve additional tenant spaces.
2020: COVID-19 pandemic was declared. A full-building model was developed to
2021: Operations continued to adapt and limited programming resumed under Public
Health restrictions.
2022: The facility reached 100% occupancy and a waiting list was started. Rent
revenue, mostly investments by local artist tenants, exceeded $100,000.
COVID-19 Impact
After minor renovations were completed, 44 Gaukel Creative Workspace was launched with
an open house in February 2020. A significant community turnout led to early momentum
and potential tenancies. Due to the pandemic, the facility closed to the public, rentals
stopped and tenant demand disappeared. Creative entrepreneurs of in-person experiences
or interactions were especially impacted as their incomes evaporated. Staff retained anchor
tenancies by offering rent relief to offset some pandemic losses and assisted all tenants in
adapting to public health measures.
Following a gradual recovery, anticipated tenant occupancy, usage and activity resumed.
Rent revenues have grown steadily from $60,000 collected in 2020, to nearly $70,000 in
2021, to more than $100,000 in 2022. Achieving 100% occupancy (and a waiting list)
following an uncertain adjustment period demonstrates the demand and need for this type
of space.
Operating Partners
-site operator and collaborator in December
2020. Their primary role is to attract new occupants, support tenants with onsite needs,
ArtsBuild is a not-for-profit service organization to thousands of arts and heritage groups
and is dedicated to supporting cultural infrastructure projects. Coordinating tenants and
activities at 44 Gaukel Creative Workspace enables ArtsBuild to practice the skills and
training it offers, drawing interest from Canada Cultural Spaces Fund and Canada Council
for the Arts. ArtsBuild also manages two resources for short-term rentals, including a
rehearsal space.
The Facility
44 Gaukel was initially home to Canada Post. After they vacated the building, the second
floor was converted to a private college. The City of Kitchener acquired 44 Gaukel in 2006,
as part of the Joseph and Gaukel Street Reconstruction Project. For the Creative Hub, the
building was adapted to support the current multi-tenanted layout with modest interior
renovations to the main floor. The building has reached a stage in its lifecycle where future
improvements will be required.
Tenants hold licence agreements with the City for 24-7 use of semi-private spaces. The
thirty-four tenant spaces vary from 91 to 735 square feet, with monthly rents ranging from
$200 to $1100. Staff implemented a flexible rate schedule based on class-B commercial
market rates downtown, with lower rents to account for non-profits, interior units with no
windows, etc. Licence agreements with four-month minimum terms were designed to be
easy for tenants to test facility suitability for their needs.
REPORT:
This section highlights pertinent findings from the 2019-2023 creative hub pilot period.
Building Creative Capacity
In early 2023, Good Company Productions delivered a series of nine live music shows at
director Amit Mehta was able to produce these high-quality packed-house events because
of the significant time and resources he has invested in developing local music.
In addition to producing curated experiences, performance broadcasts and other artist-
boosting ideas, Good Co has grown its 44 Gaukel footprint since 2020 to build capacity and
interaction for local musicians, bands and visual artists. During the pandemic, Mr. Mehta
created successful concert-in-a-
intimate concerts to animate Gaukel Block, Vogelsang Green and other spaces. He also
supported JJ Wilde on her way to winning a Juno for Ruthless in 2021 and he continues to
cultivate new performers with jam space, mentorship and gigs.
Arts entrepreneurs like Mr. Mehta are the kind of creative practitioners the City needs to
retain to support an active and compelling cultural scene. 44 Gaukel has provided Good Co.
Space to Grow and Connect
44 Gaukel Creative Workspace serves both emerging and established arts workers, with
current tenants ranging in age from 20 to 70. Tenants work in a variety of disciplines,
including music production and instruction, visual arts and language education, theatrical
and dance presentation, arts-based therapy, and a range of individual practices including
painting, sculpture, printmaking, design, filmmaking, and photography.
Tenant successes have come in many shapes and sizes. In 2023,
nomination for best rap single was produced inside their 44 Gaukel Creative Workspace
recording studio with musician Dom Vallie. Alanah Jewell and Luke Swinson co-created a
mural at 44 Gaukel in 2020, became tenants for a few successful print sales, then quickly
outgrew the space. They have since been hired by huge global brands such as Roots and
the Toronto Maple Leafs.
The pilot period has involved many tenants, but their interests in locating at 44 Gaukel
Creative Workspace have been similar - easy access to other creators. In a survey
conducted in spring 2023, tenants articulated their appreciation for the creative community
at 44 Gaukel Creative Workspace:
important as I was just startin
Having moved to Waterloo Region from Toronto, it was the closest I could find to the
space has been wonderful to watch it
also creates benefits for non-artists.
The community and rehearsal spaces inside 44 Gaukel host dozens of organizations and
hundreds of participants for art workshops, jam sessions, dance practices, rehearsals, and
other meetups. Art$Pay runs a Gaukel-facing window gallery of rotating artworks and
organizes group exhibitions that welcome the public inside. Emmy- and Juno-award-winning
-long exterior mural has become a fabulous backdrop to an
ongoing flow of events, markets, and other activities on the pedestrianized Gaukel Block.
Unlocking In-Kind Value
As part of the Creative Hub pilot, staff developed an in-kind exchange program. Selected
tenants can provide skills trades for reduced rents, enabling tenant contributions of
photography, design, video and music productions, art exhibits, facility features, broadcasts,
and community events. These contributions help make the Creative Hub visible, empower
tenants to act as project ambassadors, and provide experiences for residents and visitors.
The value of each skills trade is negotiated with tenants whose rental terms and creative
disciplines aligned with short-term project goals. Staff have pursued in-kind skills trades with
11 individual tenants since late 2019, with rents discounted against their diverse services.
These services have delivered approximately $100,000 in value to the City and broader
community. The results include live and recorded music performances produced by Good
Co. Productions, Midtown Radio segments featuring tenants, public art restoration work,
murals and installations in the facility and co-creation of a signature program The Beasting.
Skills trades opportunities could be established to meet future project goals in the areas of
communications, equitable access, professional development, and programming.
Affordability Equals Impact
Longstanding tenant Artshine, which supports youth development through arts instruction,
2019.
Their arrangement ensures that youth workshops are available at various community
centres each year. In 2023, free monthly art workshops have been offered at Kingsdale,
Chandler Mowat, Victoria Hills, and Centreville- instructor
wages, materials, and administrative expenses in delivering these programs are exchanged
for a reduced annual rental rate.
in Kitchener has also led to incredible results beyond the region. Since 2015, Artshine has
delivered more than $1-million worth of free or subsidized workshops in schools, community
events. Artsh-sustaining power of arts participation
happens in both French and English, in nearly 20 cities across Ontario, and online
internationally.
many small businesses in the arts sector are made
more resilient with access to affordable workspaces. Tenant surveys indicate that lower rent
allows artist entrepreneurs and small organizations to invest more time in doing their work
(which is often unpaid), attracting, and retaining volunteers, offering services to low-income
These insights fit with analysis of labour trends by the Cultural Human Resources Council.
The rate of self-employed creative and artistic producers is more than three times greater
than the average Canadian, including more than 50 percent of workers in sound recording,
more than 41 percent working in live performance and more than 31 percent of visual artists.
Wages are more than 10 percent lower than other workers. Many in the sector describe a
a culture
of unpaid training, practice, and preparation time. Insufficient or unstable earnings, low job
security and lack of benefits, and the need to work over full-time hours, hold multiple jobs
and juggle multiple projects are core challenges faced by arts workers and organizations.
Affordability and creative community are essential to support creative production.
Demand for Creative Space
The primary goal of the pilot was to animate an underused City facility and explore it as an
affordable workspace for arts professionals. In the fall of 2022, 44 Gaukel Creative
Workspace reached 100 per cent occupancy, and currently has a waitlist of about 20
outpace availability, the current building is too small to match demand, and the project is
offering a meaningful response to a persistent issue raised by arts workers for years.
Early findings from community consultations for the development of an Arts & Culture Plan
(to be provided in an upcoming staff report) highlight that arts sector workers continue to
identify cultural production space as a priority resource. Artists across all groups and
disciplines repeatedly invoked the idea of a physical hub where they could gather, work, and
Creativity and Learning was referenced as a desirable example from a city of comparable
size. Beyond the utility of a one-stop-shop for sectoral supports, consultation respondents
identified an opportunity to represent the transformative power of arts and culture in the form
of a bigger, bolder facility project, comparable to a tech accelerator/incubator space.
Similarly, as part of the Harvard-Bloomberg City Leadership Initiative forum, nearly forty
and cultural sectors. Many participants cited the need for additional affordable workspace.
As immersive and interactiv
fastest-growing sectors. The Conference Board of Canada predicts the industry will grow 16
percent to $123.1 billion from 2017 to 2026, with employment increasing by eight percent.
They also predict a looming shortfall of more than 20,000 cultural occupations, particularly
graphic designers, illustrators, web designers and developers. Scaled to the region, which
could mean five hundred new local jobs to fill by 2026. Affordable and accessible cultural
production space and active creative networks are essential to realizing this potential.
Expanding the Creative Hub Concept
Professional development opportunities in the future phases of the creative hub could
include mentorship matchmaking, technical skills workshops, and cooperative initiatives. An
arts business accelerator program could be developed, turning a portion of the hub into a
launchpad for more local arts service operations. Subsidized tenancies could be created to
bring additional focus to equity initiatives. Temporary project residencies could be designed
to animate shared areas of the facility, Gaukel Block, or other spots in the city. Increased
space could also aim to fill the local gaps in rehearsal and performance space.
44 Gaukel was originally selected as it was a vacant City-owned facility which could be
easily adapted to serve this intended purpose. While it has served this purpose well, initial
findings from a building condition and accessibility audit recently conducted by Facilities
Management indicate that substantial and urgent improvements are required to support
continued use. Likewise, due to the age of the HVAC system, utility costs represent a sizable
portion of the operating costs. Considering the need for investments in the building,
Economic Development and Facilities Management staff will work together to bring
recommendations regarding the future of the building to Council for discussion. Staff will
assess potential costs of remaining in 44 Gaukel against other locations. These include, for
example:
Appropriate locations to establish a long-term lease with a private landowner;
A flexible tenancy model for workspaces at a variety of other City-owned facilities;
and,
Opportunities for establishing a new, purpose-built facility as part of a future
redevelopment project.
Conclusion
Gaukel Creative Workspace has successfully transformed into the vibrant and central hub
envisioned at the outset of the project. Withmore than50artists and organizations currently
using spaces and resources, the Creative Hub has become a thriving
environment for pursuing entrepreneurial endeavors and showcasing a wide range of arts-
based experiences to the public. As a result, staff recommend consideration of ongoing
investments needed at 44 Gaukel, staff recommend undertaking a comparative analysis to
determine the optimal long-term location of the creative hub.
In the meantime, operation of the 44 Gaukel Creative Workspace should continue as the
Creative Workspace can continue supporting and benefiting from the arts sector workers
who are using it to stimulate citizen interest in local cultural products and experiences.
negatively impacted if the project suddenly concluded.
Moving forward, should Council decide to make a deeper investment in flexible, subsidized
workspace for arts sector development, a balance will need to be found between expenses
for operations, maintaining a state of good repair, and the workforce-boosting, culture-
enriching possibilities of purpose-built, scalable arts resources.
STRATEGIC PLAN ALIGNMENT:
This report supports A Vibrant Economy by advancing work on a Creative Hub.
FINANCIAL IMPLICATIONS:
Capital Budget The recommendation has no impact. Facility related capital costs will be
assessed through the next phase of analysis as highlighted in the report.
Operating Budget The recommendation could impact the 2024 operating budget.
Tenancies in approximately 11,150 square feet of rentable space recover approximately
33% of operating expenses. Staff estimate the annual shortfall between revenues and
ongoing facility operations to be between $225,000 and $250,000. This is comparable to
other projects within the sector:
$295,980 in combined cash and in-kind grants from CoK to THEMUSEUM in 2023
$261,849 was granted to thirty-three local artists by the Region of Waterloo Arts Fund
in 2023
Based on the experience at 44 Gaukel, a creative hub operating budget, without any capital
investment, staff forecast that an appropriate level of operating funding would be as follows:
REVENUES Notes
Estimatedbased on 80% or more
Projected annual rent, 44G tenancies $ 100,000 occupancy
Estimated from 2022 in-kind
Rent deferred to in-kind contributions $ 25,000 arrangements
To be considered as part of the
Estimated municipal operating funding $ 234,000 2024 budget process
TOTAL $ 359,000
EXPENSES
Common area maintenance/utilities $ 125,000 Based on 2019 to 2022 actuals
Property taxes $ 50,000 Based on 2019 to 2022 actuals
Estimated 5% increase, or other
CAMs/tax contingency $ 9,000 discrepancy
On-site operations support $ 55,000* On site staffing
Internet services $ 20,000* Based on current operations
2022 actuals plus expanded
Custodial labour & supplies $ 40,000* service to meet increased use
Contributions from tenants for
In-kind program/promotional value $ 25,000 reduced rent
Programming including
exhibitions, events, workshops
Programming/production/improvement $ 35,000* etc.
TOTAL $ 359,000
NET $ -
*These expenses are based on both current and forecasted operations. They are
discretionary and are scalable based on the occupancy and use of the Creative Hub.
COMMUNITY ENGAGEMENT:
INFORM
the council / committee meeting.
CONSULT Staff have engaged with the users of 44 Gaukel Creative Workspace, impacted
organizations and the Arts & Culture Advisory Committee (ACAC). While this project has
been discussed numerous times by ACAC, on May 16, 2023, the committee expressed their
support for the recommendations offered in this report. Staff have also engaged the
Economic Development Advisory Committee.
PREVIOUS REPORTS/AUTHORITIES:
DSD-18-019 Creative Industry Hub Next Steps (May 15, 2018)
FCS-17-128, P17-024 Lease of 44 Gaukel Street & the Creative hub (June 19, 2017)
CAO-16-034 Options for a Creative Industry Hub (December 5, 2016)
CAO-16-025 Community Engagement for Creative hub Status Update (October
3, 2016)
CAO-16-015 Community Engagement on Potential Arts Hub & Potential of 48
Ontario St. N (May 19, 2016)
nd
CAO-16-016 Animating 44 Gaukel 2 Floor for Start Ups and Arts & Culture (April
26, 2016)
CAO-15-037It Kitchener
(November 16, 2015)
CAO-13-004 Kitchener Studio Project Business Case (April 22, 2013)
APPROVED BY: Justin Readman, General Manager, Development Services
ATTACHMENTS:
Appendix A Results from survey of tenants and short-terms renters of 44G
Appendix B Summary of skills trade partnerships developed with 44G tenants
Appendix C List of current and former 44 Gaukel Creative Workspace tenants,
arts, and culture sector
DSD-2023-143 APPENDIX A
Summary of 44 Gaukel tenant survey results
In late March/early April 2023, 17 tenants or renters of 44 Gaukel responded to a survey
prepared by staff, posted on the Blitzen platform and distributed by ArtsBuild Ontario. The
survey consisted of a dozen questions about their experiences as users of 44 Gaukel.
Seven respondents were tenants or active renters at the facility since 2020 or earlier. The
rest were shorter-term users or only began licencing space over the last couple of years.
Most respondents indicated that prior to taking on space at 44 Gaukel, their arts practice
or organization was based out of a room in their home or they had no space to operate.
Some questions resulted in answers that are tricky to interpret. For example, given the
multidisciplinary and varied
scale of audiences that benefit from what is produced inside. Some respondents said
they reach hundreds or thousands of people living in the region, while some are building
audiences provincially, nationally or even internationally. Some tenants or renters have
organized dozens of events using various areas of the facility, others have only done
one or two, others host something nearly every week. The crowds at a series of craft
and wellness markets orchestrated by one tenant in 2021 and 2022 brought thousands
of people to shop on the Gaukel Block outside the building. At least two current tenants
have tens of thousands of Instagram followers. One tenant described their reach as,
Questions that led to insightful responses are summarized by the bullet lists below.
Why artists want to be at 44 Gaukel Creative Workspace
A range or responses with common themes describe attraction to the project:
The amenities and a space to work beside other like-minded artists.
eeded a space to work, heard great things about Gaukel
I really loved the creative vibe of the building, and the affordability was really
important as I was just starting my business.
As an artist, I wanted to take the art form to families who could not driveBeing
a small studio who do not have daily classes, renting a space for the entire month
is not affordable to keep the costs low to help the families afford to
accommodate their expenditure.
Affordable studio space, with enough room to work in.
Centrally located, low cost for rent, arts-focused
I was very attracted to being in a building with other artists and arts sector workers.
It was also highly needed to have access to more affordable spaces that are
accessible to my clients. Having moved to Waterloo Region from Toronto, it was
the closest I could find to the Artscape model which I was connected to in Toronto
through the arts community.
At the time: the existing tenants, opportunity for collaboration, and flexibility of the
space.
Good facility at an excellent rate
Suitable space at a reasonable price for a non-profit group
Working in another environment with other creatives. I've spent a lot of time
working alone, this space has been wonderful to watch it grow and attract other
creatives in the city.
The potential to be an arts hub and rent significantly below commercial rates.
Being a new production holding auditions on a regular basis, cost matters.
Users were asked how their tenancy or short-term rental(s) has impacted their success:
82% said being part of the building provides a greater sense of community
76% said their art practice or business is more sustainable and stable
65% said their business or practice is easier to manage or has greater capacity
59% cited opportunities for collaboration with other facility users
53% said being part of a creative workspace downtown benefits their work
35% said the size of their audience or visibility within the community has grown
35% said their business or practice has found more customers or opportunities
The benefits of affordability
Tenants and renters were asked how the accessible cost of workspace at 44 Gaukel has
allowed them to invest more deeply in other areas of their work:
take unpaid/pro-
instead of needing to cram in too many clients into my schedule. It also allows me
to continue to build an equitable arts therapy practice for high-need clients I serve
in low-income situations without any insurance to cover their mental health
hearsal space if we were paying market rate,
which would make our operations much more challenging and make it harder for
s the cost to record artists and provide a creative space for them to create.
Also allows
Supports self-employed female artists like me who do not have a big operational
s allowed me to continue to take care of myself while I run my business, which
is
costs, allowing us to provide higher production value to our shows. It also allows
us to price our tickets competitively to give more families an affordable night out at
My business would not otherwise be viable.
Materials, and not having to rent a more expensive space - which would destroy
my limited budget.
The benefits of community
Tenants and renters were asked how other occupants of the facility contribute positively
to their experiences of using the space:
reat community vibe, supported each others events
Positive feedback, advice and compliments
They have been friendly.
Having other people around is so nice because I run my business independently
and don't have any co-workers! I like being able to attend events with the building
and also seeing everyone's art around.
We come across other art forms and have learned about other cultures as well.
A feeling of camaraderie and making friendly connections again after the drought
of the pandemic years.
There is a desire to create relationships, collaborations and community which is
central to my work as well.
Collaborations/overlaps in clients or services creating new opportunities for
each other, supporting each other through contracts/collaborations.
Students have enjoyed seeing the art work on the windows and the walls as they
enter the building
There is a bit of a university campus vibe developing here. Being able to chat and
talk to other artists has kept my motivated... but also I enjoy sharing what I've
learned with emerging artists.
Networking and community spirit
Users were also asked to articulate their own positive contributions to the workspace:
We provide access to equipment and expertise to support other tenants as they
expand to reach new audiences, host events, etc. Weve supported production for
their events, managing musicians and talent bookings, event consulting, and
opportunities for them to get involved in our work with our audiences
I'm always available to share information with my neighbours regarding art or
entrepreneurship.
I've already within 2 months of moving into the space been able to make
connections with other tenants and plan to collaborate on a project as mentor.
They come to experience our rich culturally enriched dance form which they enjoy
when they see us.
onnecting artists/musicians and building a community
Hopefully we bring joyful, youthful energy and are not too noisy.
The creative hub in broader context
Finally, respondents were given the opportunity to share any further thoughts:
affordable for arts sector workers. Those of us in the arts sector provide more to
the community, often for free, than many other sectors. Spaces are incredibly
This is the most wonderful building and space I have ever had the opportunity to
be a part of. I hope the space is available for years to come.
We genuinely hope the City of Kitchener will continue to support this project to
help local artists and community companies like ours afford to continue operating.
Gaukel has been a lifeline for our dance space. We are very grateful for this and
hope to have this continue to support small-scale artists/women entrepreneurs.
It is an essential space for artists in the area to be able to create work. I would like
there to be more spaces within the building for short-term rentals as I would have
hosted more rehearsals there had the room been available.
Its the perfect space in the perfect location that adds professionalism to a
business.
4 Gaukel to support artists via affordable
workspace for five years, and that the City has always intended to eventually sell
the property for development. While I know the desire for commercial development
is significant and potentially wildly profitable in the short term, I want to say that
not just internally but the surrounding area. I think Gaukel-Charles has the potential
to become a sort of Granville Island, with the old bus terminal turned into a blend
of Indigenous Centre and Artisanal Market. 44 Gaukel is responsible for much of
a much more profitable situation for the community in the long term. I sincerely
hope City Council will consider this as they make decisions for the future of the
DSD-2023-143 APPENDIX B
Summary of skills trade partnerships with 44 Gaukel tenants
The photo above, taken by 44 Gaukel tenant John Spaulding in summer 2021, is a
small example of a single output from a skills trade arrangement. It is one of hundreds
of photos taken & supplied by John during his tenancy for use on 44
Gaukel website and social media channels, and in other project promotional materials.
John has staged shoots in his studio, captured events, coordinated with photo subjects
& made a variety of other accommodations to produce photographs upon request.
Other in-kind partnerships have produced other media, including broadcasted interviews
with 44 Gaukel tenants and program participants, experiments with a video variety show
format (watch GAUKER episode 1, episode 2 & episode 3) and the online presence of a
more elaborate collaborative project called The Beasting. Other partnerships prioritized
in-person experiences in or around the building, such as live music performances,
visual art exhibits, public workshops and murals in the facility. A couple have focused
their output elsewhere, such as community centre programs or public art collection care.
PARTNER IN-KIND VALUE SKILLS TRADED
Artshine $ 41,000.00 Arts workshops at City facilities
Good Company Productions $ 17,500.00 Video & sound production services
Art$Pay $ 12,000.00 Art exhibit curation & production
Vincent Marcone $ 10,800.00 Program creation & design services
John Spaulding $ 9,250.00 Photography production services
Midtown Radio $ 6,500.00 Broadcast production & promotions
Torin Langen $ 2,750.00 Installation creation & documentation
Nicholas Rees $ 2,200.00 Public art collection maintenance
Alanah Jewell & Luke Swinson $ 1,600.00 Mural painting contributions
Andy Wright $ 1,100.00 Free photography workshops
Taylor Jones $ 500.00 Photography production services
$ 105,200.00
DSD-2023-143 APPENDIX C
List of current & former 44 Gaukel tenants working in the arts & culture sector
About 50 different individuals or organizations in the local sector have held tenancy
licence agreements with the City of Kitchener or subtenancy agreements with ArtsBuild
Ontario. Some predate the pilot period, at which point only a limited portion of the
second floor was available to arts tenants. Accelerator Centre and their various tech
sector subtenancies, some of which began in 2016, are not included in the list below.
ArtsBuild Ontario March 2017 - present
Faces that Hide Productions March 2017 - December 2017
Green Light Arts March 2017 - December 2017
Hive March 2017 - December 2017
KWLT (Kitchener Waterloo Little Theatre) March 2017 - present
Nicole Beno March 2017 - November 2017
Vincent Marcone (My Pet Skeleton) March 2017 - present
Artshine & Arts4All March 2017 - present
Syd Ursa (Binary Forest) June 2017 - August 2017
Brianna Kestle November 2018 - present
Juan Lopezdabdoub December 2018 - present
Jamie Good December 2018 - March 2019
Eduardo Soto-Falcon (Pilgrim Falcon Productions) January 2019 - April 2023
Ikenna Ofoha (Tempus Electric Bikes) October 2019 - September 2020
Inksmith Education Solutions November 2019 - May 2020
Taylor Jones December 2019 - January 2021
Pamela Cardases December 2019 - May 2020
Good Company Productions January 2020 - present
Just Ideas Inc. February 2020 - present
Nicholas Rees July 2020 - present
Alanah Jewell & Luke Swinson July 2020 - May 2021
John Spaulding August 2020 - present
Basil Alzeri October 2020 - November 2020
Midtown Radio December 2020 - April 2022
Robert Plowman May 2021 - December 2021
Billy Cochrane (Claypot Records) June 2021 - present
Eddy Grignon August 2021 - present
Elizabeth Forrest August 2021 - present
Yulia Balobanova September 2021 - present
Blue Moon Photography September 2021 - December 2021
Somali Canadian Association of Waterloo Region November 2021 - present
Cody Rogers December 2021 - November 2022
Mina Vedut January 2022 - May 2022
Arabyon January 2022 - present
Sarah Midnight (Midnight Raven Studios) February 2022 - present
586 Group Inc. March 2022 - July 2022
Art$Pay June 2022 - present
Alix Simpson July 2022 - January 2023
Matthew Morales August 2022 - present
Jessika Brubacher August 2022 - January 2023
Helen Fidler & James Huctwith September 2022 - present
Mason Daigle September 2022 - present
Torin Langen September 2022 - December 2022
Nehad Abdalkader September 2022 - present
Andy Wright & Claire Donnison October 2022 - present
Catherine Mellinger January 2023 - present
Doris Yi Feb 2023 - present
Zane Fraser April 2023 - present
Tristan Molina May 2023 - present
ArtsBuild Ontario has also facilitated temporary rentals of community and rehearsal
spaces or other building areas, in some cases either preceding or following tenancies.
More than 130 organizations or individuals who have rented spaces are below.
Organizations Individual Artists
MT Space Bangishimo Johnston
Laya Lasya Dance Studio Jaden Bhundar
Kitchener Waterloo Youth Theatre Michael Masurkevitch
Green Lights Arts Gillian Laudano
Faces that Hide Productions Brian Lockyer
Viral 360 Alison Harris
Treehaus Collaborative Workspace Evelyn Barber
Active Souls Projects Colleen Derek
Gulce Oral Sarina Annis
Ring Productions Ronald Hope
Page 1 Productions Mira Henderson
Illuminate Youth Theatre Company Jessica Rediker
Porch View Dances Gurleen Sidhu
Waterloo Region Small Business Centre Carolyn Wu
The Making Box Alexander Wright
KW Poetry Slam Shanice Wilson
Night\\Shift festival Andrew Blakie
Gwaandak Theatre Mohamed Kahlil
White Owl Mystic Yulia Balobanova
Registry Theatre Catherine Mellinger
Core Cody Miller
City of Kitchener, Inclusion Services Paulina Wisniewska
CAFKA Giulia Pittiglio
Community Justice Initiatives Vanessa Spence
Kitchener Centre Green Party of Ontario Nicole Hayes
Theatre Mada Nada Abusaleh
Theatre on the Edge Alicia Reid
Doyle Academy of Irish Dance Kathleen Kamo McHugh
Local Ladies Vincent Marcone
Pleiads Theatre Phil Marques
Sienci Labs Gouri Kundu
Navara Yoga Alisa Lin
The City Flow Collective Jesse Reimer-Watts
Tri-City Flow Tommy Tran
Detour Theatre Cosmic Ray
JM Drama Chaenel Mattis
Theatre Mada Brittany Kennedy
Mavis Productions Morgan Anderson
Huniper Productions Jimmy C
AfterSchool Arcade Melodie Wakefield
Speed Skating Canada Nicole Nash
Jungto Society Marioa Morales
Expanded Living Jessica Davey
The Black Umbrella
Lichwood Grove
K Bresser Music
Golden Astella
The Everything Studio
Kitchener Waterloo Little Theatre
Ontario Association of Social Work
Echoson Stem Club
University of Waterloo Black Association for
Student Expression
Sekond Skin Studio
iSpeak Spanish
Huxley Talent
Fastboot
YLCC
Mankind Project
Freedom Marching Project
The Projecter12
The Innovative Studio
Youth Theatre Canada
National Service Dogs
Pinch Cabaret
Friday Empire Band
Levant for Arts and Culture
DiverseWorks Dance Co.
Birds Canada
20 Below Games
KW Smash Bros Tournament
IP Acting Studio
Lightning Banjo Productions
Suzuki Talent Education of Waterloo
Sunflower Swing
Community On Stage
Playful Fox Productions
Kukkiville
Open Ears
OAEA
Ophelia Gardenia